“Struggle”
The music video visualizes struggles and paradoxes deep down in Micky's heart: he is alone but he always feels connected.
It relates to me with the emotion inside, which brings me an in-depth thought of what I have experienced during the period of lockdown in the Netherlands. During the lockdown days, we were all disconnected, but communications never stops, taking place in messages, in videos or on website pages.
Visualization, as one of the carriers of music, aims to answer a question: whether human‘s emotions must be carried by physical touches and objects, or emotions can exist outside the human’s living body as living individuals.
MV灵感是来源于Mickey这支单曲对于内心深处的困惑和挣扎的视觉阐述。这种语境对于我而言有着强烈的共鸣，特别是当我处于荷兰疫情宵禁期间，人的精神世界和现实社会之间的交流是失联切割裂的。似乎肉体的表达能力可以被另一种媒介所完全代替，比如数据，或虚拟网络。视觉作为音乐的其中一个载体提出了一个问题：当我们所经历的是现实社会被虚拟化之后，人类的情感是否已经完全被信息素承载，又或者它们成为了一种鲜活且复杂的生命体。
The music video visualizes struggles and paradoxes deep down in Micky's heart: he is alone but he always feels connected.
It relates to me with the emotion inside, which brings me an in-depth thought of what I have experienced during the period of lockdown in the Netherlands. During the lockdown days, we were all disconnected, but communications never stops, taking place in messages, in videos or on website pages.
Visualization, as one of the carriers of music, aims to answer a question: whether human‘s emotions must be carried by physical touches and objects, or emotions can exist outside the human’s living body as living individuals.
MV灵感是来源于Mickey这支单曲对于内心深处的困惑和挣扎的视觉阐述。这种语境对于我而言有着强烈的共鸣，特别是当我处于荷兰疫情宵禁期间，人的精神世界和现实社会之间的交流是失联切割裂的。似乎肉体的表达能力可以被另一种媒介所完全代替，比如数据，或虚拟网络。视觉作为音乐的其中一个载体提出了一个问题：当我们所经历的是现实社会被虚拟化之后，人类的情感是否已经完全被信息素承载，又或者它们成为了一种鲜活且复杂的生命体。
